CONTRIBUTORS

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Jeffrey Alfier’s latest works are Fugue for a Desert Mountain¸ Anthem for Pacific Avenue: California Poems, Bleak Music—a photo and poetry collaboration with Larry D. Thomas, Southbound Express to Bay Head: New Jersey Poems, and The Red Stag at Carrbridge: Scotland Poems. Recent publication credits include Spoon River Poetry Review, Kestrel, Gargoyle, Permafrost, and december magazine. He is founder and co-editor of Blue Horse Press and San Pedro River Review.

William Bonfiglio received a BA from Bucknell University and an MFA from Iowa State University. His has received a Pearl Hogrefe Grant in Creative Writing Recognition Award, the Julia Fonville Smithson Memorial Prize, and has been previously published in Sugar House Review, Blueline, Dunes Review, among others.

Gaylord Brewer is a professor at Middle Tennessee State University, where he founded and for more than 20 years edited the journal Poems & Plays. His most recent book is the cookbook-memoir The Poet’s Guide to Food, Drink, & Desire (Stephen F. Austin, 2015). His tenth collection of poetry, The Feral Condition, will be published by Negative Capability Press in 2017.

Paul V. Carroll’s poems have appeared in or been accepted by a number of journals, including New Ohio Review, The Journal, Green Mountains Review, River Styx, Barrow Street, Ninth Letter, Harvard Review, Cimarron Review, Linebreak, and others. He works as a lawyer bringing environmental actions in northern California on behalf of public interest groups, such as the Sierra Club and Audubon Society. He also handles criminal appeals for the indigent. Before law school, he was a professional ballet dancer.

Maureen Clark teaches writing for the University of Utah, Department of Writing and Rhetoric Studies. She is the former director of the university writing center, a grant writer for the Rocky Mountain Care Foundation and a former president of Writers @ Work. She lives in Bountiful, UT with her husband Jon. Her poems have appeared in Bellingham Review, Colorado Review, Alaska Quarterly, Puerto del Sol, Prairie Schooner, The Southeast Review, Gettysburg Review, among other journals. She has written a poetry collection titled The Fish and the Water Lily, and a memoir titled Falling into Bountiful.

Cassandra Cleghorn is the author of Four Weathercocks (Marick Press, 2016). Most recently a poetry finalist for the Jeffrey E. Smith Editor’s Prize at The Missouri Review, Cleghorn has published in many journals including Paris Review, New Orleans Review, Poetry International, The Common, Narrative, and Tin House. Educated at University of California, Santa Cruz and Yale University, she lives in Vermont, teaches at Williams College, and serves as poetry editor of Tupelo Press.

Dana Curtis’ second full-length collection of poetry, Camera Stellata, was published by CW Books. Her first full-length collection, The Body’s Response to Famine, won the Pavement Saw Press Transcontinental Poetry Prize. She has also published seven chapbooks, including Book of Disease (in the magazine, The Chapbook), Antiviolet (Pudding House Press), and Pyromythology (Finishing Line Press). Her work has appeared in such publications as Quarterly West, Indiana Review, Colorado Review, and Prairie Schooner. She has received grants from the Minnesota State Arts Board and the McKnight Foundation. She is the editor-in-chief of Elixir Press and lives in Denver, CO.

Devin William Daniels is an aspiring book doctor and pro bono noise purveyor in Philadelphia. He holds degrees in English and philosophy from Penn State University and is working towards a PhD in English at the University of Pennsylvania. When not reading and writing, he plays guitar in the rock trio Post-Korea.

Jaclyn Dwyer’s poems have been published in a number of literary magazines, including Ploughshares, Columbia Poetry Review, The Journal, Rattle, Prairie Schooner, New Ohio Review, and Witness. She’s published essays at Salon, The Baltimore Review, and Brain, Child. Jaclyn received a Special Mention in the 2015 Pushcart Prize anthology and was awarded a Tennessee Williams Scholarship to attend the 2015 Sewanee Writers’ Conference. She earned a PhD in creative writing from Florida State University, where she received a Kingsbury Fellowship.

Jaime Garcia is from Rubidoux, CA. His poetry has appeared in numerous print and online journals including Ruminate, Minetta, and The 3288 Review.

Aaron Gates holds a BA in writing studies from Utah Valley University. He is co-editor-in-chief of peculiar: A Queer Literary Journal, which publishes work by queer authors and artists in Utah. He is currently working on his first chapbook of poetry.

Benjamin Hertwig’s work has recently appeared on NPR, in The New York Times, The Literary Review of Canada, Pleiades, and Prairie Fire. He is a PhD student at the University of British Columbia.

Lisa Higgs’ second chapbook, Unintentional Guide to the Big City, was published by Red Bird Chapbooks (2015). Her poems can be found in numerous literary journals, including Crab Orchard Review, Water~Stone Review, Midwestern Gothic, PMS: poemmemoirstory, and have been nominated for the Pushcart Prize and two Illinois Arts Council Literary Awards. Currently, Lisa serves as a poetry editor for Quiddity International Literary Journal.

Leonore Hildebrandt is the author of a letterpress chapbook, The Work at Hand, and a full-length collection, The Next Unknown. She has published poems and translations in The Cafe Review, Cimarron Review, Denver Quarterly, Drunken Boat, Harpur Palate, The Fiddlehead, Poetry Daily, Poetry Salzburg Review, among other journals. Winner of the 2013 Gemini Poetry Contest, she received fellowships from the Elizabeth George Foundation, the Maine Community Foundation, and the Maine Arts Commission. A native of Germany, Hildebrandt lives “off the grid” in Harrington, ME. She teaches writing at the University of Maine and serves on the editorial board of the Beloit Poetry Journal.

heather hughes hangs her heart in Boston and Miami. Her work has appeared or is forthcoming in Bad Penny Review, Cream City Review, Denver Quarterly, Gulf Coast, Jai-Alai Magazine, Vinyl Poetry, and other journals. She MFA-ed at Lesley University and ALM-ed at Harvard University Extension. All her tattoos have wings. Find her online at BirdMaddGirl.com.

Kimberly Johnson is the author of three collections, most recently Uncommon Prayer (Persea Books, 2014), as well as a verse translation of Virgil’s Georgics (Penguin Classics, 2009). She’s received fellowships and awards from the Guggenheim Foundation, the NEA, and the Utah Arts Council, and her work has appeared recently in The New Yorker, Slate, Ploughshares, among others.

Kien Lam is a Kundiman fellow who received an MFA from Indiana University. His poems have appeared or are forthcoming from Kenyon Review, Ploughshares, Gulf Coast, and elsewhere. He lives in Los Angeles where he writes about esports.

Paige Lewis is an assistant poetry editor at Narrative Magazine. Their work has appeared or is forthcoming in The Cincinnati Review, Indiana Review, Ninth Letter, Smartish Pace, and elsewhere.

Angie Macri’s recent work appears in RHINO and Prairie Schooner, and her first collection was awarded the Cowles Poetry Book Prize.

Jennie Malboeuf is a native of Kentucky. Her poems are found in the Virginia Quarterly Review, AGNI, Oxford Poetry (UK), The Hollins Critic, Epoch, New American Writing, Hunger Mountain, New South, Poetry Northwest, and Best New Poets 2016. She lives in North Carolina and teaches writing at Guilford College.

Ashley Mares is the author of Maddening Creatures (Aldrich Press, forthcoming), The Deer Longs for Streams of Water (Flutter Press), and A Dark, Breathing Heart (dancing girl press, forthcoming). Her poetry has appeared or is forthcoming in Stirring, Whiskey Island, Menacing Hedge, Whale Road Review, Prelude, Hermeneutic Chaos, and others. She is currently completing her JD in Monterey, CA, where she lives with her husband. Read more of her poetry at AshleyMaresPoetry.WordPress.com and follow her @ash_mares2.

harps mclean is a professional chef in Tennessee, where he lives with his beautiful multi-species family. He mends fences, cuts his own hair, and has just begun to publish.

Owen McLeod’s poems recently appear or are forthcoming in Ploughshares, New England Review, FIELD, Missouri Review, Yale Review, Massachusetts Review, and other journals. He is a potter, a professor of philosophy at Lafayette College, and he lives in eastern Pennsylvania.

Alicia Mountain is a queer poet and PhD candidate at the University of Denver. Her poems can be found in Guernica, jubilat, Prairie Schooner, Pleiades, Witness, and elsewhere. Alicia’s work was nominated for a 2017 Pushcart Prize. Her unpublished full-length manuscript was a semi-finalist for the St. Lawrence Book Award and a notable manuscript for the BOAAT Book Prize. She received an Academy of American Poets Prize, an Idyllwild Arts Fellowship, and a residency at the Virginia Center for Creative Arts. She earned her MFA at the University of Montana in Missoula.

Dan Murphy holds an MFA from Boston University and teaches writing and literature at Suffolk University in Boston. He lives just outside the city with his wife and two daughters and their black lab, Sammy Adams Murphy.

Brianna Noll’s first book, The Price of Scarlet, was the inaugural poetry selection for the University Press of Kentucky’s New Poetry and Prose Series and was published in Spring 2017. She is a Postdoctoral Fellow in Teaching and Mentoring in the Honors College at UIC, and she serves as poetry editor of The Account, which she helped found. Her poems have recently appeared in The Georgia Review, Passages North, Puerto del Sol, Hunger Mountain, and The Kenyon Review Online.

Claire Oleson is a student and writer hailing from Grand Rapids, MI. She’s currently studying English and creative writing at Kenyon College. She’s an avid fan of books, bread, and trying to win the hearts of all felines. Her work has been published by the University of Kentucky’s graduate literary journal Limestone, Siblíní Art and Literature journal, Newfound Journal, NEAT magazine, Bridge Eight Magazine, among others.

Dayna Patterson is managing editor of Bellingham Review, poetry editor for Exponent II Magazine, and founding editor-in-chief of Psaltery & Lyre. Her poetry has appeared in North American Review, The Fourth River, Weave, Literary Mama, and others. Connect with her at PsalteryAndLyre.org

Lynn Pattison’s work has appeared in The Notre Dame Review, RHINO, Atlanta Review, Harpur Palate, Rattle, Smartish Pace, Tinderbox, Slipstream, Poetry East, among others, and has been anthologized in several venues. Nominated twice for a Pushcart Prize, she is the author of three collections: tesla’s daughter (March St. Press); Walking Back the Cat (Bright Hill Press) and Light That Sounds Like Breaking (Mayapple Press). Pattison was awarded an Irving S. Gilmore Emerging Artist Grant through the the Michigan Arts Council, and a writing residency at the Ragdale Foundation in Lake Forest, IL.

Simon Perchik’s poetry has appeared in Partisan Review, The Nation, The New Yorker, and elsewhere.

Todd Robinson lives and writes in Omaha, NE. His poems have appeared most recently in Margie, Potomac Review, and Mankato Poetry Review. He teaches at Creighton University and in the Writer’s Workshop at the University of Nebraska-Omaha.

F. Daniel Rzicznek is the author of two poetry collections, Divination Machine (Free Verse Editions/Parlor Press, 2009) and Neck of the World (Utah State University Press, 2007), as well as four chapbooks, most recently Live Feeds (Epiphany Editions, 2015). His recent poetry has appeared or is forthcoming in Beloit Poetry Journal, Volt, Kenyon Review, Massachusetts Review, Natural Bridge, and elsewhere. Also coeditor of The Rose Metal Press Field Guide to Prose Poetry: Contemporary Poets in Discussion and Practice (Rose Metal Press, 2010), Rzicznek teaches writing at Bowling Green State University in Ohio.

Amy Schmitz lives in San Diego, CA. Her work has been published or is forthcoming in San Pedro River Review, The Louisiana Review, Borderlands: Texas Literary Review, Askew, Poetry International, Freshwater, Comstock Review, Bookwoman, Perfume River Poetry Review, The Bellevue Review, Folio, River City, Kiosk, The Baltimore Review, So to Speak, and The Washington Review. She has won awards from Poetry International, the CNY chapter of the National League of American Pen Women, the Women’s National Book Association, Folio and River City. Schmitz holds an MFA from George Mason University.

Terrell Jamal Terry’s poems have appeared or are forthcoming in The Literary Review, Columbia Poetry Review, West Branch, Washington Square, Whiskey Island, The Volta, and elsewhere. His debut collection, Aroma Truce, is forthcoming from Black Lawrence Press in 2017.

Allison Tobey grew up in Cleveland, OH, but has lived and worked in Portland, OR for the past decade teaching college writing. She earned her MFA from Antioch University Los Angeles and is the poetry editor for Gertrude Press. Her work has been published in many journals including RHINO, Sugar House Review, Paper Nautilus, and Fourteen Hills. She enjoys dogs, books, and fizz.

Originally from Detroit, L. Vella now lives and works in a place surrounded by cornfields turned into baseball diamonds. A recent graduate of the Iowa Writers’ Workshop, previous poems have appeared in Spork and Lady Churchill’s Rosebud Wristlet.

Jeanann Verlee is a 2017 NEA Poetry Fellow and the author of Said the Manic to the Muse, award-winning Racing Hummingbirds, and the forthcoming collection, prey. Awarded the Third Coast Poetry Prize and the Sandy Crimmins Prize, her work appears in Adroit, The Journal, Rattle, among others. She collects tattoos and kisses Rottweilers. Find her at JeanannVerlee.com.

Angela Voras-Hills currently lives with her family (husband, son, toddler, and an orange cat) in Madison, WI, where she’s the co-director of a new non-profit literary arts center, Arts + Literature Laboratory. She earned an MFA at UMass-Boston, was awarded grants from The Sustainable Arts Foundation, Key West Literary Seminar, and was a fellow at Writers’ Room of Boston. Her work has appeared in Kenyon Review Online, Memorious, Hayden’s Ferry Review, Best New Poets, among other journals and anthologies.

H.R. Webster holds an MFA from the Helen Zell Writers’ Program. Her work has appeared in Ecotone, Seattle Review, Black Warrior Review, and Hobart.

John Sibley Williams is the editor of two Northwest poetry anthologies and the author of nine collections. A five-time Pushcart nominee and winner of the Philip Booth Award, American Literary Review Poetry Contest, Nancy D. Hargrove Editors’ Prize, and Vallum Award for Poetry, John serves as editor of The Inflectionist Review and works as a literary agent.

Felicia Zamora is the author of the book Of Form & Gather, winner of the 2016 Andrés Montoya Poetry Prize from Letras Latinas and University of Notre Dame Press. She won the 2015 Tomaž Šalamun Prize from Verse, and authored the chapbooks Imbibe {et alia} here (Dancing Girl Press 2016) and Moby-Dick Made Me Do It (2010). Her published works may be found or forthcoming in Columbia Poetry Review, Crazyhorse, Hotel Amerika, Indiana Review, Meridian, North American Review, Phoebe, Pleiades, Poetry Daily, Poetry Northwest, Puerto del Sol, West Branch, and others. She is an associate poetry editor for the Colorado Review and holds an MFA in creative writing from Colorado State University.